Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jaime Huguet
Triptych of Saint George (Detail of Saint George and the Princess)

ID: 02260

Jaime Huguet Triptych of Saint George (Detail of Saint George and the Princess)
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Jaime Huguet Triptych of Saint George (Detail of Saint George and the Princess)


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Jaime Huguet

1415-1492 French Jaime Huguet Galleries   Related Paintings of Jaime Huguet :. | The Flagellation of Christ | Triptych of Saint George (Detail of Saint George and the Princess) | Head of a Prophet (Fragment of a Lost Altarpiece) | Last Supper | The Lamentation of Christ |
Related Artists:
Wilfred vincent herbert
fl.1863-1891 Parce Alteri
Karl Theodor von Piloty
German, 1826-1886,German painter. He received his first training from his father, the lithographer Ferdinand Piloty (1786-1844). In 1838 Piloty entered the Munich Akademie der Bildenden Kenste and from 1840 became a pupil of Julius Schnorr von Carolsfeld. Piloty had to manage the family business after his father's death in 1844, but in 1846 he returned to the Akademie as a pupil of Karl Schorn (1801-50). His artistic development was influenced by the work of the Antwerp artist Louis Gallait (1810-87), the heightened colour and multi-figure compositions in whose history paintings especially impressed him. Besides his study of Old Masters, especially Veronese and Rubens, he was influenced by French history painters like Paul Delaroche and Horace Vernet. His history painting Seni by the Body of Wallenstein (1855; Munich, Neue Pin.) was an enormous success, allowing him to take a leading role in the art life of Munich. In 1860 he was ennobled.
Master of Frankfurt
Flemish Northern Renaissance Painter, 1460-ca.1533.South Netherlandish painter. He takes his name from two paintings commissioned by patrons from Frankfurt am Main. His chief importance lies in his continuing the great tradition of 15th-century Netherlandish painting (particularly the compositions of Rogier van der Weyden and Hugo van der Goes) well into the 16th century, his development of a markedly earthy figure type, his apparently innovative management of a large workshop that 'mass-produced' paintings for the open market and his status






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